Stories: The Magic of the Art Retreat Weekend
The art retreat unfolded in the most atmospheric of ways. Guests arrived under warm sunshine, settling into the creative rhythm of Court House Farm. Later, a dramatic day of thunder and lightning provided its own intensity, as if the elements wanted to join in our exploration of colour and expression.
One evening we gathered for a talk with art historian Jonathan, who brought the life and work of Sonia Delaunay into focus. Sonia was a true pioneer—a woman ahead of her time who moved fluidly between painting, textiles, design and fashion. We explored her bold use of colour and form through her large-scale work Le Bal Bullier, with its vibrant dancers and rhythmic composition. Each guest took their own inspiration from the talk: some drawn to the movement of the dancers, others to the fearless use of colour, and others still to the reminder of the importance of creativity itself as a powerful, sustaining force.
Part Two: Drawing & Stitch with Janet Haigh
Janet’s part of the retreat took place in our medieval manor studio. With ancient timbers in the roof, old stone walls holding us, and views of the gardens, it was the perfect setting for thoughtful, slow-making. During renovations, Mick pinned in the staircase, reminding us that early grand houses often relied on ladders that could be pulled up for protection. This space, steeped in history, now held the gentle hum of creative exploration.
Janet herself is a fully creative being—her presence inspiring, from her colourful outfits to her wonderfully flamboyant home filled with artwork, curiosities and bold design. One of the highlights of the retreat was an invitation to her home, studio and garden overlooking the coast. We were welcomed with drinks and a tour of her interiors and studios, where artwork, richly coloured rooms, and curiosities offered inspiration and a glimpse into her lifelong creative practice.
In the workshops, Janet generously shared her techniques and ideas. Guests explored:
Drawing and colouring fabric with pencils,
Observational drawing of flowers from the gardens and objects from the manor,
Stitch and appliqué techniques,
And ultimately, combining drawing and stitch into a final piece.
The process was about more than technique—it was about time. Time to step away from work and daily responsibilities, to stitch without pressure, to explore, to play. Inspired by Janet, many guests left with a renewed commitment to carving out creative space in their everyday lives, recognising it as both self-expression and self-care.
This retreat welcomed both residential and non-residential guests. Those staying with us enjoyed the full immersive experience, while local participants joined each morning and left before dinner. The mix worked beautifully—everyone became part of the same creative circle, with connection and inspiration flowing easily across the group.